Aksumite Society

Very little is known of the social hierarchy of the kingdom of Aksum. Scholars believe that a class of nobles surrounded the king. Beneath the nobles were merchants, artisans, and villagers who grew crops and tended animals. Aksumites owned slaves, many of whom were prisoners of war, but it is not known how they were employed. Wealth was probably derived from ownership of land.

The kingdom of Aksum contained a number of important towns in addition to Aksum. The Red Sea port of Adulis was one of the largest. It contained stone churches and houses, the latter probably belonging to prosperous merchants. Other towns were located along the route that led from Adulis to Aksum. Many stone buildings have been found away from the towns; these may have been the residences of rich local landlords. Wealthy Aksumites lived comfortable lives and used luxury domestic items—such as ceramics, glassware, and fabrics—imported from abroad. The dwellings of town and rural workers were likely round huts made of stone or mud with conical thatched roofs, similar to rural houses in Ethiopia today.

The Aksumite diet would have varied, depending on social class. The staple was likely a cereal dish, but the upper classes also would have had such imported luxuries as wine and olive oil. The alcoholic honey drink tej (mead), a common beverage in modern Ethiopia, would have been available to everyone. Workers and rural people would have eaten injera (flat, unleavened bread) and porridge made of local cereal, probably wheat or barley.

Aksum is said to have imported cloth and ready-made garments, but almost nothing is known of the styles of dress. The cloth was linen, wool, or cotton. Archaeologists have found loom weights in Aksum, suggesting that Aksumites wove their own cloth as well. People in rural areas may also have worn leather.

Aksum

Aksum is an ancient kingdom that flourished in northeastern Africa from the 1st century bc until the early 7th century ad. Its capital was the city of Aksum, which lies in the northern part of present-day Ethiopia. A powerful trading center, Aksum controlled the highlands of northern Ethiopia and the Red Sea coast of present-day Eritrea. Culturally, it was closely associated with the people of southern Arabia, who spoke related languages and followed similar traditions. Aksumite kings built massive stelae (stone pillars) to adorn their tombs, and some of these stelae still stand today.

African Weapons

Today, as in the past, African men may wear swords, knives, spears, and other weapons for display to indicate their status. Many societies restrict the use of ceremonial weapons to specific individuals or groups. Some traditions practiced today are hundreds of years old. Swords served as emblems of authority as far back as the 15th century in the Kingdom of Benin, which had its capital in what is now Nigeria. Only the king of Benin wore the ceremonial ada, an ancient, long-bladed sword that symbolized his right to take human life. Chiefs carried other types of swords. Brass plaques from the 16th and 17th centuries depict this tradition.

African Textiles

Both men and women dye cloth and stamp or weave designs into textiles used for clothing. Like jewelry, textiles may be used to indicate social status or group membership. Among the Akan of western Africa, only royalty were allowed to wear a fabric known as Kente cloth. The earliest surviving examples of Kente cloth date from the 16th century; they consist of woven strips of blue- and-white silk sewn together. This cloth signified the wearer’s status and through its patterns might also allude to a proverb or a historic event. Today, a more brightly colored version of Kente cloth is popular among all social classes.

Aircraft Carrier Design and Aircraft

An aircraft carrier comprises several different sections, as do all warships. The lower decks of a carrier are similar to those on other ships. They house the engine rooms and compartments for either oil-fired boilers or nuclear reactors, depending on the type of propulsion being used. (Newer carriers are all nuclear powered. The United States has not built an oil-powered carrier since 1968.) A carrier is driven by four massive propellers, and the ship’s engines can generate over 280,000 horsepower to accelerate the carrier to a speed of just over 56 km/h (35 mph).

The upper areas of an aircraft carrier differ from those of conventional warships. An enormous hangar bay runs the length and width of the ship and is referred to as the first deck, or hangar deck. Planes can be serviced on the hangar deck, safe from the effects of wind and weather. Massive elevators, each the size of a typical home, move aircraft between the hangar deck and the flight deck on top, where the planes take off and land. In the area between the hangar deck and flight deck, called the gallery, the ship’s pilots live, work, and prepare for flights.

The flight deck may look quite large, but it is actually small for all the activities that take place on it. Because the runway is so short, planes must be flung into the air by steam catapults that are built into the flight deck. These catapults are 90 m (300 ft) long and draw their power directly from the ship’s engines; they can accelerate a plane from 0 to 240 km/h (150 mph) in three seconds. Each carrier has four catapults: two on the forward area, or bow, and two in the center area, referred to as amidships. The bow area is only used for launching planes because it is too short for landings. The amidships area and the deck behind it can be used for launching and landing planes. It is angled slightly from the centerline of the ship so that landing planes do not interfere with planes taking off from the bow. All four catapults can be used to launch airplanes in a hurry, but during continuous exercises, planes need to land in order to refuel and reload ammunition. When landings are taking place, planes are launched only off the bow catapults so that other jets can land on the angled area. The bow area can also serve as a parking area, out of the way of landings, when launches are not taking place.

Overlooking the flight deck area on the right, or starboard, side is the carrier’s command and control tower, referred to as the island. The island is small, so as not to encroach on valuable flight deck space. The seven-story structure is covered with antennas and radar scanners. The top level of the island is like the control tower at an airport. Here, the ship’s air boss, or controller, controls the movement of planes on the flight deck and those flying near the ship. The next level below the controller is the carrier’s pilothouse, also referred to as the bridge. On the bridge, the captain and other members of the crew control the ship’s speed and direction.

Unlike other warships such as cruisers and destroyers, a carrier has very few weapons built directly onto the ship itself. The aircraft on board the ship serve as its primary weapon. American carriers have the widest variety of aircraft. The typical 86-plane air wing of an American carrier is composed of several types of offensive aircraft. Fighter aircraft include F-14 Tomcat fighters (to shoot down enemy planes that may try to attack the carrier) and F/A-18 Hornet strike fighters (a type of plane that can both drop bombs and shoot down enemy planes). Support aircraft on board include the E-2C Hawkeye airborne early warning aircraft (the only plane on the ship still flown by propellers). It carries a large radar and transmits information back to the carrier, so the ship knows what is going on up to 480 km (300 mi) away. The EA-6B Prowler electronic warfare airplane jams enemy radar, and the S-3B Viking antisubmarine airplane hunts for enemy subs and sinks them if they get too close to the carrier. A carrier also carries about a half dozen SH-60F Ocean Hawk helicopters, which can also hunt submarines, as well as rescue any pilots who suffer an accident. See also Military Aviation.

Landing a plane on a carrier is a complicated procedure that requires tremendous skill on the part of the pilot. When planes are cleared to land, pilots come in behind the ship, lower the landing gear and tailhook, and line up with a series of lights and lenses on the carrier commonly called the meatball. The meatball tells pilots if they are too high or too low as they are coming in to land. Their goal is to keep the light centered in the middle of the set of lenses. Navy pilots refer to this procedure as “calling the ball.” As the plane crosses over the carrier deck, the tailhook snags one of four heavy steel cables stretched across the deck, bringing the plane to a stop in about 90 m (300 ft) of deck space.

When carrier pilots land (or trap, as Navy pilots like to call it), they apply full power to their engines so that if the cables break (which happens rarely) they will have enough power to fly off and try to land again. Landings are made both day and night in clear and bad weather. Pilots prefer to land on large carriers, not because of the larger landing area, but because a large carrier is steadier since it weighs more, and therefore does not pitch as much in heavy seas.

African Regalia

During investiture ceremonies, kings and chiefs receive courtly regalia—notably crowns or other special headgear—that proclaim their power and authority. Among the Yoruba of Nigeria, the tradition of the beaded crown, or ade, dates from the legendary first ancestor or ruler of the Yoruba, Oduduwa, who is said to have placed an ade on the head of each of his 16 sons. The ade consists of a beaded veil hanging from a cone-shaped hat that is covered with interlaced patterns of beads. Affixed to the cone are beaded relief sculptures of faces and birds with symbolic meaning in Yoruba culture. The beaded veil protects ordinary people from looking directly at so powerful a being. In turn, the king must never look inside the crown because that is where his power resides. Some say that looking inside could blind or kill him, while others assert that peering inside confirms a loss of power and that the king who has done so should commit suicide or face execution.

African Objects for Divination

Another important African religious practice is divination, which is the art of receiving hidden knowledge or insight from supernatural sources. Diviners attempt to uncover problems, determine their cause, and provide solutions, and they may use objects to aid this process. Some African cultures use artistically rendered objects, while others use parts of animals, such as feathers or horns. In western Africa, the Yoruba people of Nigeria and Benin use a decorated tray for divination. This round, rectangular, or half-moon-shaped board is carved with geometric and animal motifs and one or more images of Eshu, the Yoruba trickster deity, who is thought to deliver messages to and from the spirit world. The divining process begins by covering the board with white chalk. The diviner then throws palm nuts onto the board and interprets the markings they make on its surface.

The Kuba people of central Africa use an itombwa, or friction oracle, for divination. This carved wooden object takes the shape of a four-legged animal with an elongated body. The animal is chosen for its abilities to find something hidden. A dog, for example, is good at sniffing out game and a crocodile can attack swiftly without being seen, so both are good choices. On the sides of the itombwa are intricate patterns, such as chevrons or crosshatches, and on its back is a removable knob that is flat on the bottom. The diviner soaks this knob in oil or water and rubs it on the long, flat back of the itombwa while reciting various possible cures or solutions. When the knob stops moving, the diviner turns the animal upside down. If the knob remains in place, then the cure pronounced at the time it stopped moving is the correct one.

African Jewelry

In Africa, both men and women adorn themselves with jewelry, which can include earrings, necklaces, armlets, rings, pendants, belts, and bracelets. Jewelry may be made of gold, brass, leather, or ivory, and it may be embellished with beads, feathers, or seeds. Among the Masai, a nomadic people of eastern Africa, belts, beaded earrings, and ostrich feathers indicate the stage a man has reached in life. In the past, a Masai man who had not yet killed a lion would wear ostrich feathers.

African Art and Prestige

African Art and Prestige

Many African art objects serve to indicate the status of an individual, family, or other group. Objects such as weapons, staffs, and crowns act as symbols of rank, wealth, or position in the community.

Architecture in Africa’s Rural Settlements

The way of life in Africa’s rural settlements determines the types of dwellings built. Settled farming societies have different requirements than herding societies, which are usually nomadic. Other rural societies in Africa are based on farming, hunting, and gathering in various combinations.

Of the many types of traditional rural dwellings, relatively permanent houses grouped in villages are found only in agricultural settlements. A typical farming village consists of a number of family compounds along with structures that serve the larger community. Each family compound may have separate structures for cooking, eating, sleeping, storing food, and protecting animals at night. Structures may be round, rectangular, or semicircular. Communal structures, for holding meetings and teaching children, are located in a prominent place in the village.

The Dogon people of southern Mali cultivate grain on a plateau at the top of the Bandiagara cliffs near the Niger River. They construct villages on the steep sides of the cliffs. Their rectangular houses are built of sun-dried mud brick and stone. The roofs are thatched, and the dwellings rest on ledges along the cliffs. The Dogon store and protect their harvest in granaries that have beautifully carved wooden doors and decorative locks. Figures carved on many granary doors represent sets of male and female twins, which symbolize fertility and agricultural abundance.

The Zulu of southern Africa, who cultivate grain and raise livestock, have traditionally built houses shaped like beehives. They arrange these houses in a circular, fenced compound, and they keep their cattle in the middle of the compound. Zulu houses are made of thatch that covers a framework of wooden strips and is bound together with a rope lattice.

Nomadic herders need homes that they can easily build and take apart when they move their herds to different ground. The Masai of eastern Africa, for example, construct homes using a framework of sticks that they seal with cattle dung.

Many rural societies in Africa adorn the outsides of houses with painted designs or with relief (raised) patterns worked into a soft clay surface. The job of decorating houses generally belongs to the women. Frafra women of northern Ghana decorate the walls of houses and other buildings with geometric patterns that communicate information about the social status of a building’s owner. Ndebele women in Zimbabwe and the northeastern part of South Africa paint the mud walls of their houses with geometric patterns based on the shapes of windows, steps, and other building features and everyday objects. Traditionally, Africans have used natural clays as paints, but today brightly colored acrylic paints are popular.